Monthly Archives: June 2014

an open letter to all of the editors who have ever rejected my work

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

Dear Editors:

Please don’t wince. You may expect a briny, venom-drenched letter layered with defensive, caustic, cussy language. What I intend to do is thank you. Oh, sure, some of your letters made me full body hug the berber (the carpet, not the peoples of North Africa). And yes, Kleenex and Ghirardelli stock spikes in direct correspondence to your correspondence, but when I awake from my chocolate-induced coma, I am genuinely grateful for the work you do. Honest.

Thank you for telling me no when I sent you a manuscript that was greener than Kermit’s backside. I cross-my-heart thought it was perfect when I sent it to you. I was anxious and naïve.

Thank you for the times you took a few moments to offer feedback, an explanation or an invitation to submit again. I know you’re the definition of busy, so your extra effort meant a lot, especially when it probably caused you to shortchange your lunch break, or worse, your sleep.

Thank you for looking out for your readers. I know you have to be ultra selective. Children deserve the best. That’s what I want to give them, but if what I sent falls short, thanks for being honest instead of settling.

Thank you for upholding high standards and expecting writers like me to rise to them. You make us wrestle with our words, use our noodles, elongate our imaginations and demand more from ourselves.

Unflappably yours,

Vicky

In the end, what makes a book valuable is not the paper it’s printed on, but the thousands of hours of work by dozens of people who are dedicated to creating the best possible reading experience for you. ~ John Green

how to accept a compliment 101

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

It happened like this: while at a bookstore’s open mic night, I heard an author read from her work-in-progress. I was awestruck. That voice. The lush language. The evocative tone. The no-other-word-could-have-been-more-perfect detail. Compelled to tell the author, I approached her to offer my compliments. “It’s horrible,” she said. I protested thinking she was feigning modesty. But this time she was more insistent, “No. It’s horrible” and the grimace on her face let me know she meant it. I walked away feeling chastised and even judged–apparently I cannot recognize good writing from bad and my opinion is worthless. Ouch.

Did the author intend to make me feel that way? I think not. She was probably swaddled in her own writerly insecurities (like most of us) and it came out looking like anger. But it made me wonder if I’ve ever done something similar. Do I handle compliments or encouraging words with grace or do I grimace and make the giver feel like a fool? (Trust me. It was a lot more fun when I was thinking about the other author’s reaction instead of my own. Ouch again.)

While I was mulling over the topic of accepting compliments, I ran across what I think is a spot-on article I want to share: “How to Accept a Compliment with Class.” I appreciate the way the author breaks down our compliment-related communication breakdowns and offers practical, appropriate responses. If anyone ever compliments me again, I will be ready!

Please enjoy the article–with my compliments, of course.

I have been complimented many times and they always embarrass me; I always feel they have not said enough. ~ Mark Twain

blog hop tour hops to frog on dime

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

Blog Hop is a blog tour showcasing authors and their writing process. I was honored to be tagged by Kristin Lenz, writer of YA and New Adult novels, and all around super fly, groovy chick. (Thank you, Kristin for inviting me!) I tagged another YA writer extraordinaire, Ann Finkelstein, for the next leg of the Blog Hop. You can learn more about Ann at the close of this post.

So, here we go with the Q & A portion of our program.
I hope you are grading on a curve. (And remember, I was promised there would be NO math problems.)

What am I working on now?
I just finished my second contemporary middle grade novel, SHORT CHANGED, at the end of May. Thankfully, as I was wrapping up novel two, ideas for middle grade number three began to percolate. Did I mention Ray, the main character of this novel, is forcing me to learn to knit because he likes to knit? He takes his protagonist role very seriously. I don’t want to disappoint him.

How does my work differ from others in its genre?
It has my voice. What would be the point of imitating anyone else? We already have a Jerry Spinelli and Sharon Creech. I like to blend humor with tenderness (tempered with enough references to boogers or puke to make it believable and boy-friendly).

Why do I write what I do?
Writing middle grade is a sweet spot for me–readers are still young enough to appreciate my dorky sense of humor, but sophisticated enough to handle more complex plot lines, language and themes. But I don’t have to write any “content.” (blushing) I know. I know. I’m such a ninny.

How does my writing process work?
First off, you should know, I never ever intended to write a novel, much less two, going on three. I remember showing my grandpa one of my published magazine stories. He said, “That’s good, Vick. Now, where’s your novel?” I told him flat-out, “I’m not a novelist. There’s no novel in me.” (See? Such a ninny I am.) It wasn’t until a friend asked me to collaborate on a novel with him that I ever thought to attempt such a crazy thing. I mean, novel writing was for, sheesh, I don’t know–novelists. But I reasoned that before I co-wrote a novel, maybe I’d better see if I’m capable of creating a one on my own. And so it began.

My first middle grade novel, SHRINK, germinated from a short scene based on a childhood memory. The story took on a life of its own as I began to ask why–why did the main character say that? Why does he feel this way? Why did he make that decision? To whom is he telling his story? And why? Because I was neon green at novel hatching, I pretty much let the characters run the show, which meant I had a lot of clean up to do on the back side. (Kids are not known for their logic or consistency you know.) I still love the characters in that first novel and even miss them when I see a real-world kid who looks like one of them. I must have done something right.

My second novel was inspired by a stupid idea. I thought it would be clever and ironic to write a novel with the title SHORT STORY. But that, I was wisely advised, would get way too confusing. So, I changed the title to SHORT CHANGED, but kept the basic story. I tried writing this novel on my own, like the first one, while trying to avoid the rookie pitfalls. But eventually, I opted to enroll in a novel-writing course through the Institute of Children’s Literature. The individualized instruction and the built-in deadlines helped me progress. I’d recommend taking an ICL class. If you want to know more, just let me know via my contact page and I’ll get right back to you.

My third novel is unfolding very differently. I want to plot and plan and outline before fully immersing myself in this novel. I am gathering articles and ideas too. And, as I mentioned earlier, I’ve got to take those knitting lessons. I’m also going to “interview” each of my characters in order to create character sketches. I treat characters like they are already fully-formed people. It’s my job to get to know them and create a world for them to live in and circumstances to respond to. (And how “simple” is that?)

Based on what I’ve experienced so far, I love the entire novel-writing process–the first niggling from a new idea, meeting my characters, creating that first draft, revising (ad nauseam), receiving critiques, revising again . . . I love it all. Except when I don’t.

(I hope I got the answers right.)

The next stop on the Blog Hop tour will be hosted by my talented friend and Sock Sister Ann Finkelstein. Ann writes young adult novels in Michigan. She enjoys biking, hiking, cross-country skiing and photographing the great outdoors. Read more about her. You can read Ann’s brilliant answers about her writing process on Friday, June 20. Don’t miss it!

Writing in English is the most ingenious torture ever devised for sins committed in previous lives. ~ James Joyce

take the “am I ready for an agent?” quiz

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Photo by Vicky Lorencen

Photo by Vicky Lorencen


You’ve seen those wedding dress shows, right? A bride-to-be goes on a chiffon frenzied quest for the perfect gown while a group of her BFFs sit semi-circled in the salon, waiting to boo-hoo or just boo over her selection. Once in a while, though, the hunter is simply a bride-wanna-be who is willing to throw gobs of moola at a dress, despite her groomlessness. To me, that seems sad, desperate, and at the very least, poorly timed.

When it comes to writers in search of an agent, sometimes it’s really not that different. There’s a time to focus solely on craft, to learning about the industry, reading and networking. But, if this has not yet resulted in a solid, polished product to sell, why would you spend time looking for an agent to represent you?

Let’s say, however, maybe you’re like me, and you’ve been polishing, learning and preparing for quite a spell and you’re wondering if seeking an agent would be a wise next step.Take this quiz to help you decide if you’re agent-ready:

True or False?

____I have at least two thoroughly polished, market-ready manuscripts and more in progress.

____I am an active member of a professional organization for writers, such as SCBWI, and follow industry-related blogs, tweets and newsletters to stay current.

____I have a good understanding of the inner-workings of the children’s publishing industry (e.g., the role of publishers, editors, agents, reviewers and authors, the editorial and submission process, how a manuscript becomes a published book, etc.).

____I have sold articles or stories to respected children’s magazines, such as Highlights for Children, and/or perhaps even come close to selling a book to a traditional publisher on my own.

____I am actively building a platform via my own web site or blog, as well as social media.

____I am a member of a critique group and/or have a critique partner and/or have received professional critiques from agents or editors.

____I have gone from receiving unsigned form rejection letters to more of the “champagne” variety (personalized notes or letters offering a specific explanation as to why the editor chose to pass on my submission or perhaps offering constructive feedback or an invitation to submit more in the future).

____I understand the role and benefits of an agent, as well as my role as a client.

____I have compiled a list of the qualities and qualifications I am seeking in an agent.

____I have done marketing research to determine where my book fits in the current market and what makes it stand out from similar works. I can explain this in my “elevator pitch” (and I know what an elevator pitch is!)

____I am prepared and enthusiastic to shift from solo writer mode into the role of a professional with a business partner (an agent) so that I can pursue all aspects of a writing career.

____I understand agents, while amazing, do not possess supernatural powers and cannot be expected to read minds, make me stinking rich or fulfill every literary success fantasy I can conjure.

How’d you do?

If you answered with 10 or more “True” responses, consider seeking a literary agent to represent you.

If you answered with 6 to 9 “True” responses, you’re getting closer!

If you answered with 5 or fewer “True” responses, that’s okay. Keep writing, seeking feedback, and using this list as a guide to help prepare yourself to become agent material.

Photo by Vicky Lorencen

Photo by Vicky Lorencen

All things are ready, if our mind be so. ~ William Shakespeare, Henry V