Tag Archives: critique group

how to give your writing shine, volume and manageability

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

You’ve seen the commercials. There’s a woman with limpity blahsville hair. Her shoulders, schlumpy. Her eyes, rolled. She blows a puff of air upward from her lower lip and ruffles her scruffy bangs–the universal breath of disgust. Then, some product whooshes onto the screen. It’s a bottle of glamorous, sexy-smelling hope for hair. Ms. Lackluster snatches the wunderproduct, suds it through her sorry locks and voila! Cue the fans to blow a mane so magnificent as to make Fabio throw in the towel.

What if there was a “product” that could do the same–give shine, volume and manageability–to your writing? Good news! There is. It’s called Critique Group.

Here’s how this amazing product works:

Shine. Nothing will give your writing that dazzling sheen you desire like a robust critique. Your group can help you snip those dry, split ends created by worn or useless verbiage, identify stronger verbs and methodically polish your work.

Volume. Receiving regular feedback on your work helps to fuel your momentum, which hopefully, results in higher word counts and more pages than you may have accumulated as a solo act. So luxurious!

Manageability. Critique groups, regardless of how you arrange them, typically come with a schedule for sharing your work. Knowing you have these deadlines can help you plan, set goals and make the whole writing process more aimful instead of aimless.

You say you don’t have a critique group of your very own? Instead of pulling out your hair, let’s find you a group ASAP.

Consider these ideas for either starting or connecting with an established group:

  • Use social media. Let Facebook friends or Twitter followers know you’d like to join or start a group.
  • Visit discussion boards and search “critique groups” to see who’s seeking. For example, you could start with the SCBWI (Society of Children’s Book Writers and Illustrators) and explore the Resources section.
  • Talk with your local children’s librarian or a writing instructor at your local community college about your desire to form a group. You may learn about others who have expressed the same. If there’s a public bulletin board at the library or community college, post a “Want Ad” there.
  • Go to writing conferences or take writing classes and do a little friendly snooping to find out about the groups of your fellow attendees. Who knows, they may be hoping to add a new member.
  • Ask other writing friends for ideas. Ask how they decided between joining a face-to-face or online group (and the advantages/disadvantages of each), how their group is structured and if they know of a group with an opening. If your friend is groupless, ask about starting a new group of your own.

If you’re already in a group and have more ideas, tips for how to structure or improve a critique group, please share.

Wishing you gorgeous “hair” days ahead!

You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children. ~ Madeleine L’Engle

looking for front stabbers

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

You trust someone, and then you’re stabbed in the back. Hurts, doesn’t it? Ever thought of inviting someone to stab you in the front? Sure, that’d hurt too. But it’d be a constructive versus destructive brand of pain. Okay okay, I know that sounds strange, maybe even a little creepy, but please stick with me for a few more sentences, and I’ll explain as best I can.

See, even though writing by its nature is a solo sport, that doesn’t mean you can’t invite others to join your team. By others, I mean other writers who can give constructive criticism–aka stab you in the front, to hit you where it hurts most–right in your writing.

Losing weight, staying on track with an exercise regime, even cleaning out the garage, are all easier if you have at least one person to come alongside you support, encourage–maybe even push–you. Why should writing be any different? If you’re frustrated with your lack of progress, either in term of pages or improvement, consider opening yourself up to a good, ol’ fashioned front stab.

[At least] three things are certain:

1. Someone pushing you without your permission will only make you want to push back.

2. You need to ask someone to hold you accountable. Nobody volunteers for that job, but most people will say yes if you invite them, especially if you’re willing to reciprocate.

3. You will make better and faster progress with accountability and input, than you will without it.

This is why I am so grateful for my critique group. They’re a friendly bunch of front stabbers who want me to become a better writer and I’m happy to help them do the same.

If you feel stuck with your writing, let me encourage you seek out your own critique group (ask around on Facebook, via your SCBWI chapter list serve or your local library). If a group isn’t already in place, start one. And remember, you don’t have to let geography limit you. Online critique groups can work very well and can include writers from all over the planet, if you like. (I suggest keeping your group Earth-bound. Anything beyond that can get too complicated.) If joining/starting a group sounds like too long of a leap, consider partnering with another writer and setting up a regular schedule for exchanging pages.

Connecting with other writers for criticism and accountability will make a positive difference for you. I promise.

G’head. Take a stab at it.

Photo by Vicky Lorencen

Photo by Vicky Lorencen

As iron sharpens iron, so one person sharpens another. ~ Psalm 27:17

My thanks to Ben Redmond, Director of Student Ministries at the Hub, for inspiring this post. He’s a wise man.

top 3 reasons why critique groups rock

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writing frogs
Why oh why did I wait so long? I wish I’d jumped into a critique group ages ago. But I’m so glad I took the leap!

My top three reasons why critique groups rock . . .

1. Critique group members hold you accountable.
I won’t lie. As much as I love writing, I truly need deadlines to keep me moving at a steady pace. I’m too good at “writing” excuses for myself. Those excuses greedily gobble up my writing opportunities, in favor of oftentimes less honorable enterprises (like watching TV. Ugh!) Knowing my critique group is ready to give me feedback, in exchange for merely meeting my deadline, motivates me to better align my priorities and quit twiddling around already.

2. Critique groups encourage you.
Writing is tough enough. When you add the pursuit of publication to equation, with its inevitable rejections, the process can be pretty painful. Being part of a gang of empathetic travelers who are uniquely equipped to offer roadside assistance when your tires are punctured or shredded is such a perk. More like a perk on steroids. It’s amazing.

3. Critique group keep you honest.
When you go solo, it’s easy to get a tad delusional. Speaking for myself, it’s easy to fall in love with the rhythm of my own words. My critique group helps me to “de-precious” my work. With their help, I can face it in a cool, objective light. Just like all green things, including my budding manuscript, light is essential for growth. If I leave my manuscript buried under a rock, it’ll be safe alright, but there’s no room for growth in a dark place. I say arm your critique group with lanterns, flashlights filled with lithium batteries and torches. You may need to wear shades to your next meeting, but it’s worth it.

Are you still group-less? Let Frog on a Dime encourage you to hop in! What are you “wading” for? (Oh, great. I know my critique group is going to bust me for the bad puns!) Let this article from Harold Underdown’s “The Purple Crayon” site help you get a jump on it.

One last thing . . . my warmest thanks to Monica, Jennifer, Cathy, Kris, David and Mindy. You’re the reasons why our group rocks!

Criticism is the windows and chandeliers of art: it illuminates the enveloping darkness in which art might otherwise rest only vaguely discernible, and perhaps altogether unseen. ~ American drama critic and editor George Jean Nathan