Category Archives: Encouragement

4 perks of sitting at the kids’ table

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

It’s nearing Thanksgiving and my brain is shifting into stuffing-mashed-potatoes-and-pumpkin-pie (a la mode) mode. I’m recalling those big family gatherings where the grown-ups sat one table and the kids at another. The kids’ table was typically of the folding variety on hiatus from the front closet. It was set with the B-list china and plastic cups instead of stemware. But that was okay. You were with your cousins or sibs—away from the cheek-pinching, bum-patting relatives—and there was pie. Life was good.

When I ventured into children’s writing half an ice age ago, I didn’t know I was sitting at the “kids’ table.” I plunked myself down with such enthusiasm, I’m sure I toppled a glass or two. But everybody was new to me and nice to me. I couldn’t tell the adults from the kids.

Since then, in meltdownable moments, I’ve pushed my chair away from the table a few times, surmising I’d be wise to walk away, but something—typically someone—pushed me back to the table, shoved a fresh crayon in my hand and insisted I keep on writing. And I did.

But as the years stack up like so many pie plates, I’ve begun to feel like that cousin you see only once a year. Everybody is so shocked by how big she is. She’s actually in junior high now, for turkey’s sake, but still she’s sat at the kids’ table. That’s how I feel. I have OCS (over-grown cousin syndrome (don’t bother looking it up—it hasn’t made it into the DSM yet)).

And as I’ve grown as a writer and more than outgrown my little chair, I’ve watched as some of my dearest tablemates picked up their plates, glasses and silverware and one-by-one excused themselves to go sit at the grown-up table. I’ve felt happy for them. Absolutely. Their dream of getting an agent and a publishing contract came true. Their name would be next to the word “by” on the cover of an actual book.  And, no point in denying it, I’ve swallowed hard and pushed back tears too (sometimes unsuccessfully).

Being at the kids’ table isn’t as fun as it once was. But you know what? As long as I’m here, for as long as I’m here, I figure I may as well make the best of it.

Here are 4 perks of sitting at the kids’ table:

  1. No kitchen timer—expectations are a lot lower when you’re pre-published. No deadlines. No reviews. No line edits. It’s just you and your muse.
  2. Always new guests at the table—and if you’ve been at the table awhile, you’ll have something to share with the new kids about which “menu items” to avoid, which funny looking “veggies” are actually good for you and which “pie crust” is just a little too flaky.
  3. Loads of time to load your plate—this tour of duty at the kids’ table offers opportunities to grow, listen, network, take classes on craft, join a critique group, establish an online platform, eat pie, eat pie (did I say that already?)
  4. Room to master your manners—like any business, publishing has its own etiquette. Sitting at the kids’ table gives you time to learn which fork to use and where to put your elbows before you move to the table with the big folks.

You bet your drumstick I want to move to the grown-up table, but until I do, there’s pie here and friends, and at least four perks. I can wait my turn. (But I would appreciate a bigger chair.)

And just because I like you, here’s a pre-Thanksgiving treat from The Onion.

jump to the moon with hazel mitchell (and enter her book giveaway!)

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Written by  JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

Written by JaNay Brown-Wood and illustrated by Hazel Mitchell/Charlesbridge Publishing/ISBN 978-1-934133-57-6, Ages 6-9

Who isn’t mesmerized by the moon? Little Imani’s lunar fascinations go beyond enchantment to obsession as she wills herself to touch the moon. In doing so, she would prove her worth to all of the naysayers in her Maasai village who literally look down on her. Inspired by her mother’s tales of Maasai mythology, not only does Imani accomplish the feat, she proves to herself that “a challenge is only impossible until someone accomplishes it.” Imani is quite a someone.

Frog on a Dime is pleased to host the illustrator of IMANI’S MOON–the adorable Hazel Mitchell.

Hazel Mitchell is originally from England and now lives and works in Maine. When she wasn’t riding horses as a youngster she was drawing them. After attending art college in the UK, she spent several years in the Royal Navy and then worked as a graphic designer. Now she’s doing what she always dreamed of – creating books for children. Don’t you love it when dreams come true?

Welcome, welcome, Hazel. I’m excited to talk about your new book, written by JaNay Brown-Wood. What first attracted you to IMANI’S MOON? I loved the story and the fantastical elements. I also liked the idea of the setting in Africa and drawing a Maasai child! It was quite a challenge.

And now that it’s finished, what do you love most about Imani’s story? That it’s a book! (That’s always surprising.) I do love the way the colours and textures came out. Great job by Charlesbridge Publishing!

There’s been a lot of discussion lately about the need for greater diversity in children’s books. How do you think IMANI’S MOON helps to fill that gap? I think IMANI’S MOON is a great book to add to the diversity bookshelf. Imani is in her own environment. This is not a case of forcing a child of color into a story for the sake of diversity. She’s just Imani–in her culture with her trials and tribulations–just like any other child.

Hazel and her beloved friend Toby

Hazel and her beloved friend Toby

People outside children’s publishing or those new to the industry are often surprised (even alarmed) to learn that authors and illustrators do not often collaborate on a book. Can you talk about that? When I was a newbie I didn’t realize authors and illustrators worked separately either. At first, I thought the writer might feel cheated. And some do, I think. But the more you work in the industry, the more wisdom you acquire. We have editors and art directors for a reason. Having a little distance between the author and the illustrator is good. And the input from an art director and editor can be crucial. If there’s an issue with artwork, I’ve found that they’ll refer to the author when needed. It’s a team situation. Without the freedom to create, the illustrator can feel frustrated and then the art might not be as good as it could be. You can feel boxed in. The writer has his or her vision, and the illustrator needs to be able to have their vision as well.  A picture book is a collaboration; it cannot work without each part of the whole. That’s when the magic happens!

And we can see that magic in IMANI’S MOON, Hazel. It’s so lovely. Now, since Frog on a Dime exists to offer encouragement, could you tell us about what or who encourages you? Right. Oh, so many. First, all the books that I have read along the way and learned from. You can’t read enough. My peers – those I have met so far on the journey. It can be a lonesome profession and like minds are crucial to help you along. And those I have met who are further along the path and have been kind enough to mentor me. Going to conferences and workshops has been a great source of knowledge and inspiration.

Here’s your chance to be encouraging, Hazel. What’s one thing a writer or illustrator could do today to improve their craft? Create SOMETHING!!!

Love that! And what do you do when you’re “stuck” as you’re trying to create something? Make a cup of tea. Do something mindless (chores!). Work on something else. Read a book. Have a bubble bath. Talk to another creative.

I love those ideas, Hazel. I’m a big believer in the inspirational power of tea myself. Before you go, I’m curious to know what’s on the horizon for you. I have a busy year upcoming with three books I’ve illustrated – ANIMALLY from Kane Miller, WHERE DO FAIRIES GO IN WINTER? from Down East, KENYA’S ART from Charlesbridge and in 2016 by debut as author-illustrator TOBY from Candlewick Press.

How exciting! Thank you so much for visiting Frog on a Dime, Hazel. It’s been a delight getting to know you.

You can learn more about Hazel when you visit HazelMitchell.com. You’re welcome to purchase IMANI’S MOON directly from Charlesbridge.

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Enter a drawing to win your very own copy of IMANI’S MOON.

All you have to do is leave a comment about why you love picture books! It’s that simple.

The drawing will take place at Noon on Friday, November 7, so don’t dilly dally!

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

And now, we’ll close with one of Hazel’s favorite quotes . . .

We are all lying in the gutter, but some of us are looking at the stars. ~  Oscar Wilde

 

 

super interview & super book giveaway

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It’s my treat to welcome children’s book author and illustrator Deb Pilutti. Deb and I recently traveled to and from the SCBWI fall conference on Mackinac Island. The many miles spent on Michigan highways gave me a chance to get to know Deb better. She’s a peach. (Well, not literally. But that would make her literary abilities all the more extraordinary, now wouldn’t it?) I know you’re going to enjoy getting to know her as much as I did. And so, my Frog on a Dime friends, meet my friend Deb Pilutti . . .

Deb Pilutti

Deb Pilutti

So, Deb, when did you know you wanted to become a children’s writer?

Let’s just say I was a little dense, so it took me awhile. The signs were there. When I was younger, I loved reading more than anything. A blank book was my most prized possession. I once had Leo Lionni as a design instructor in a college workshop and I was giddy to meet him because Little Blue and Little Yellow was one of my favorite books as a child. But still, I never saw writing and illustrating for children as an option. It wasn’t until I realized I was hoarding my own children’s books, and not sharing that it was something I wanted to do.

What is it about writing for children that appeals to you versus writing for adults?

Being silly.

What’s the most encouraging thing anyone has ever said to you related to your work?

Early on, I submitted a manuscript to an editor. She said it wasn’t right for her, but that she liked the illustrations and thought that I was a good writer and invited me to submit to her again. I was not very confident about my writing at that point, so it was exactly what needed to hear.

What advice would you give to someone who has been pursuing publication for a long time, with close calls, but no contracts?

Of course, I would say to keep trying. The fact that the person has come close means that they are on the right track. But I would also recommend doing something a little different to push yourself even more. It could be devoting more time to writing, or attend a conference or workshop or online class. A few years ago, this was the case for me. I decided to spend more time writing, which meant turning down some freelance opportunities. I also spent a couple of weekends at a writing retreat with some friends.

By Deb Pilutti Christy Ottaviano Books/Henry Holt

By Deb Pilutti
Christy Ottaviano Books/Henry Holt

What would you like to share about your NEW book–details! details!

Ten Rules of Being a Superhero is published by Christy Ottaviano Books/Henry Holt is a story  about the day in the life of a Lava Boy and his superhero toy, Captain Magma.

Lava Boy is making up the rules as he and Captain Magma go along – always in the spirit of superhero play. The rules are about being super from a child’s perspective, as in “Rule No. 2: Saving the Day is messy. But everyone understands,” or “Rule No. 5: Sometimes, Superheroes make a lot of noise.” At times, the action on the page is at odds with the rule.

I had so much fun making this book! And plenty of practice too, as I have spent an incredible amount of hours (A LOT) discussing the merits of various superhero powers with my children over the years. I particularly liked painting the spreads with Lava Boy’s toys in various states of distress. I am drawn to awkward, retro toys.

And for the super-super serious portion of our interview—let’s say your moral compass went missing. What make/model of car would you steal and why?

An old Ford pick up truck from the early 60s. And while my moral compass is missing, I’d nab a really great pair of vintage cowboy boots to go with it.

Good answer! Let’s try another one–on the assumption we could find a phone booth somewhere (a museum perhaps), who is the children’s author or illustrator you’d most like to be trapped inside with?

Maira Kalman. First of all, she seems like an incredibly interesting person and I would love to chat with her. She finds beauty and poignancy in the absurd, and I think she would find it in the phone booth. Plus, I would hope we would laugh a lot.

Feeling brave? How about naming three things we’d be surprised to learn about you.

I can only think of odd things – oh well. I talk to myself a lot. I have a collection of Star Trek figurines on my desk and I have an irrational aversion to using a salad fork.

Hey, I didn’t know you were a Trekkie. Thank you so much for stopping by, Deb. Best wishes to you on your super new book!

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Want to WIN YOUR VERY OWN COPY of Ten Rules of Being of Superhero?

Between now and Noon on Friday, October 24, leave a comment and answer this question–Who is your superhero?

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//

Deb Pilutti feels lucky to have a job where reading, playing with toys and
watching cartoons is considered “research”. She lives in Ann Arbor,
Michigan with her husband,two kids and one nervous border collie. Deb has
worked as a graphic designer and illustrator, creating toys and products
for children and is the author and illustrator of TEN RULES OF BEING A
SUPERHERO (Ottaviano/Holt) and BEAR AND SQUIRREL ARE FRIENDS (Simon &
Schuster), which will be published in 2015. Additionally, she illustrated
THE TWELVE DAYS OF CHRISTMAS IN MICHIGAN and wrote THE CITY KID AND THE
SUBURB KID (both with Sterling).

 

And now, in honor of our special guest,  and in keeping with my quote-closing tradition, we’ll close with one of Deb’s favorite quotes . . .

Inspiration exists, but it has to find you working. ~ Pablo Picasso

 

 

you just never know

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

At the close of the SCBWI – Michigan conference on Mackinac Island, book reviewer, blogger and first grade teacher extraordinaire Ed Spicer (I know cheers will erupt at the mention of his name!) shared about one of his students. Brycen struggled with reading. He simply could not decipher those black squiggles on the page. That is, until he found a book that unlocked the magic for him. The title of the book isn’t significant to Brycen’s story. It was well reviewed and nicely illustrated, but it was not a groundbreaker or a bestseller. That didn’t matter to Brycen. He simply loved that book, and it loved him back by patiently waiting for him to decode it word-by-word until he could read it with ease. By reading it over and over and over, that story gave him the confidence to select more titles.

He’s such a book lover now that, well, why don’t I let Brycen tell you . . .

Ed Spicer shared Brycen’s story to remind authors and would-be authors that our stories make a difference regardless of critical acclaim or popularity. We may never know how one of our stories set up camp in a child’s heart and made a forever home there. And that’s okay. We just need to make the best stories we know how and trust they’ll find the hearts that need them, hearts like Brycen’s.

Feeling small or discouraged today? Keep crafting your stories with love and care. Because you just never know.

There’s so much more to a book than just the reading. ~ Maurice Sendak

constipation and you

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dreamy frog

Recently a writing friend reminded me of something I wrote long ago: “Looking at it physiologically, perhaps writer’s block is more akin to constipation–things get all backed up in your semi colon.”

Yep, I know a few delusional mugwumps believe writer’s block is a myth, but let’s “pretend” it does exist. Why not apply constipation remedies to get your semi colon unstuck?

Strive for a balanced diet. Read and write in equal proportion.

Increase your fiber intake. Read outside your genre-of-choice to challenge yourself.

Drink plenty of water. By which I mean, drink plenty of water. Dehydrated writers produce dry writing.

Elevate physical activity. Maybe you’ve been practicing Anne Lamott’s dictum too much. It’s time to get arse out of chair and move. Walking is a time-honored way for writers to get the creative wheels whirling.

Get into a routine. For the love of prunes, if we can train your bowels, can’t we train our brains too? Establishing a writing pattern–whatever that looks like for you–helps your noggin’ to shift gears and be productive more quickly.

Heed the call. If your body says you need to, you know, “go,” then go. If your brain gifts you with a cool story idea or a solution to a knotty plot issue, jot it down, text it to yourself or tell a friend, don’t assume you’ll remember later.

Try applying these tips for two weeks, and you too could become a Smooth Operator. (Thanks, Sade.)

I wish that being famous helped prevent me from being constipated. ~ Marvin Gaye

congratulations to the winner of the give-a-quote giveaway!

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Congratulations to Patti Bumpus Richards, winner of the give-a-quote giveaway!
You’ll find a fun, inspirational surprise package in a mailbox near you soon!

Photo by Vicky Lorencen

Photo by Vicky Lorencen

Thank you to everyone who added to my stash of inspirational quotes. I look forward to sharing them (and crediting you) in future blog posts.

Thanks to Patti for this pithy reminder from Mr. Edison . . .

Opportunity is missed by most people because it is dressed in overalls and looks like work. ~ Thomas A. Edison

give-a-quote & enter-a-giveaway!

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Photo by Vicky Lorencen

Photo by Vicky Lorencen


If you’ve ever visited Frog on a Dime, you know I’m a sucker for a crackerjack quote. (I include one with every post to make sure my blog is inspiration-fortified.)

Now through Friday, August 15, visit Frog on a Dime and leave your favorite quote as a comment. You’ll automatically be entered into a drawing for a keen package of fun, schlock-free writing supplies, hand-picked to inspire you. Trust me. You’ll like it–I’ll have a hard time parting with it.

Now, hop to it!

Hold fast to dreams/For if dreams die/Life is a broken-winged bird/That cannot fly. ~ Langston Hughes

five benefits of being uppity

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Okay, so maybe it’s another of my odd habits, but when I walk into a library, hotel lobby or museum, I typically look up. Come to think of it, I look up on walks through the woods. Or when I’m outside on a cloudless night.

Photo by Vicky Lorencen Hidden Lake Gardens, Tipton, Michigan

Photo by Vicky Lorencen
Hidden Lake Gardens, Tipton, Michigan

(Yes, I’ve had a few near head-on collisions, but it’s almost always worth it.) I like to see what’s up there, not just what’s straight in front of me. Looking up gives me a different perspective, both in the physical realm and that weird world that exists between my ears.

Photo by Vicky Lorencen Navy Pier, Chicago

Photo by Vicky Lorencen
Navy Pier, Chicago

Here’s one of my favorite “uppity” quotes: “The gloom of this world is but a shadow. Behind it, yet within our reach, is joy. Take joy.” ~ Fra Giovanni

I love this quote because it reminds me I have a choice. I can look down and focus on what’s painful or scary or I can look up to focus on what’s possible.

Photo by Vicky Lorencen Mackinaw Bridge, Michigan

Photo by Vicky Lorencen
Mackinaw Bridge, Michigan

For me, looking up doesn’t involve donning rose-tinted shades and pretending everything’s perfect. I think it means, given the choice, why not be positive? Having an upbeat attitude does not have the power to influence reality. In other words, my looking up will not equate to a polished manuscript, a publishing contract or calls from agents. (It’s never that simple, but you know that already.) But looking up does reorient my point of view, my perceptions and how I choose to respond to my reality.

Photo by Vicky Lorencen Grand Central Station, Manhattan

Photo by Vicky Lorencen
Grand Central Station, Manhattan

So, while it may not be magic, shifting my perspective upward . . .

1. Infuses me with hope.
2. Energizes me when my reserves are on E.
3. Takes my eyes off the immediate and helps me see the bigger picture.
4. Gives me buoyancy.
5. Makes me slightly more tolerable to be around. (And that right there is the price of admission, I’d say.)

Photo by Vicky Lorencen Chandelier, Grand Hyatt, Manhattan

Photo by Vicky Lorencen
Chandelier, Grand Hyatt, Manhattan

I’d be a pimple-faced liar if I told you I manage to keep my head up every single day. As I’ve shared in early posts, some days I full body hug the berber. It is not pretty. I get overwhelmed with pessimism, break out in envy pox and become enveloped in self-doubt (which by the way, I am convinced is the leading cause of cellulite). When I’m looking down I become paralyzed, unproductive, and kinda pitiful. And I’m stuck with my own company. Bleh.

Thankfully, a lot of my days, with the help of encouraging friends and some stern self-talk, I can rise above that compost heap of negative glop.

Let me encourage you to remember you have a choice. I hope you choose to look up. You might like what you see when you become “uppity” too.

Photo by Vicky Lorencen Shedd Aquarium, Chicago

Photo by Vicky Lorencen
Shedd Aquarium, Chicago

Photo by Vicky Lorencen John Hancock Building, Chicago

Photo by Vicky Lorencen
John Hancock Building, Chicago

Photo by Vicky Lorencen New York Public Library

Photo by Vicky Lorencen
New York Public Library

Photo by Vicky Lorencen Giordano's Pizza, Chicago

Photo by Vicky Lorencen
Giordano’s Pizza, Chicago

Photo by Vicky Lorencen Hidden Lake Gardens  Tipton, Michigan

Photo by Vicky Lorencen
Hidden Lake Gardens
Tipton, Michigan

the importance of living dangerously

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Photo by Vicky Lorencen

Photo by Vicky Lorencen

I am not a risk-taker, generally speaking. I wear my seat belt, hand sanitizer and sunscreen. Brush twice a day. Eat my burgers fully cooked and avoid stepping on sidewalk cracks.

Yes, I’ve been on the back of a motorcycle (once). I floated in the gondola of a hot air balloon, sat in the front seat of a whirling helicopter, cuddled with a Burmese python, sang an original song to hundreds while wearing a helmet with horns and even walked the streets of Chicago’s north side, but those were exceptions to my usual play-it-safe life. Oh, and once, I even used a public restroom without putting one of those paper doilies on the seat first. So, yep, I guess you could say I’ve sauntered on the wild side a time or two. (I saw you roll your eyes, by the way!)

But here’s what I know: you get what you risk for (or at the very least, you up your chances exponentially).

This spring, comedian Jim Carrey addressed the graduating class of Maharishi School of Management in Iowa. In a rare moment of transparency, Carrey shared how his father had the potential to be professional comedian, but opted to become an accountant because he thought it was the safer choice. It was not. He lost his job.

“So many of us choose our path out of fear disguised as practicality,” Carrey said. “I learned many great lessons from my father, not the least of which, was that you can fail at what you don’t want, so you might as well take a chance on doing what you love.”

Is there a polished manuscript that’s “circling the airport” because you’re afraid of rejection? Submit it.
Is there an agent you want to query? Do it.

Feel the fear, but do what you want to do anyway. You can do this. (And I will join you.)

A ship is always safe at the shore, but that is not what it is built for. ~ Albert Einstein

Choosing sides for volleyball & other curious forms of torture

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Reason #10 I love going to writers’ conferences: never having to choose sides for volleyball (or softball or basketball . . . ). You see, I possess no eye/hand coordination. Zippo. My left hand is only there to make me look symmetrical. Strictly window dressing. It’s a wonder I can type. So, it’s a real load off not having to demonstrate my athletic ineptitude for the astonishment of my fellow writers. Oh, sure, authors can be strong athletes, but I’m confident a lot of us were picked last (or next to last on a good day) when choosing teams in gym class. We were out of our element and there was no competing with the real sports people.

Of course, that doesn’t mean authors don’t engage in our own kind of competition. I’m not talking about contests. It’s more about the weird competitive dynamic among writers seeking to be published. We have this crazy notion in our heads that there are a finite number of publishing contracts to be had and when one of our fellow writers snags one, that’s one less available for us. Well, hey, now. It’s not like that. There’s no song that goes like “A hundred publishing contracts on the wall, a hundred publishing contracts, take one down, pass it around, ninety-nine publishing contracts on the wall . . . .” (Thank goodness because that would be really tedious.)

The truth is, we compete with ourselves for what we want. We compete with our own schedules, inner critic and insecurities for dominance. We are not competing against each other. We are not rivals. We can all win. And for the record, it’s been my experience that children’s writers are among the most generous, supportive and encouraging people toddling on ten toes. My husband was shocked by this. He couldn’t understand why writers would be so helpful to people who are their competitors. Maybe it is odd–but the good kind.

And, by the way, if we were choosing sides for volleyball, I would totally pick you. (But please, please don’t bump the ball to me!)

I have been up against tough competition all my life. I wouldn’t know how to get along without it. ~ Walt Disney