
Yesterday I had the privilege of presenting two of the many workshops offered to middle school and high school students at the Youth Writing Festival at Calvin College in Grand Rapids, MI. My workshop, “Write Like Your Life Depends on It,” was intended to empower students who love to write with the knowledge that they possess a rare and marketable skill. We talked about how they can prepare now for future career options that will allow them to make use of their superpower.Most of all, I encouraged students to be honest about what they would like to do–it’s okay to say I want to be a professional writer. It’s a skill to celebrate, not cover up. When I was open about my desire to write for children, it was amazing how opportunities, people and resources came my way.
Let me encourage you to be true to your calling too!
Here’s the list of career options I shared with the students. Maybe it will inspire you, too, if you’re unsure what you want to do when you grow up. (No rush!)
Novelist (any genre)
Non-fiction writer
Journalist
Copywriter
Web content writer
Game content writer
Blogger
Screenwriter (TV or movies)
Speech writer
Playwright
Grant/proposal/application writer
Poet (perhaps as a lyricist or greeting card verse writer}
Technical writer (for example, business writing, textbook content, medical writing)
Freelance writer (magazines, newspapers, online columns, work for hire projects)Writing-related career options:
Editor
Proofreader or copy editor
Writing instructor or tutor
Marketing/Advertising/Public Relations
Critic/ReviewerHave YOU used your superpower today?
I love being a writer. What I can’t stand is the paperwork.~Peter De Vries
are you out of your mind yet?
It’s no secret that we writers spend a lot of time living inside our heads. We write at stop lights and on park benches, in waiting rooms and sometimes at the movies. We may not be putting pen to paper or fingers to keyboard every moment, but on that little “screen” tucked neatly between our ears, we’re crafting dialogue, untangling knotty plot twists and musing about our main characters. It’s part of the process for most of us. I know that’s true for me.
Maybe that’s why most writers are often introverts. It’s not that we’re shy necessarily. Perhaps it’s simply that we’re content with our own company. And, at least it seems, we’re happy to sit back and observe. But I’d like to gently suggest that we may not be the great observers we think we are. With all of this writing going on inside our heads throughout the day, it’s easy to miss living in the present. How often do we fail to see or truly hear what’s happening in the here and now, while we’re imagining what our heroine will do next on a far-flung planet or trying to come up with a catchy title for that magazine article?
Mindfulness is a practice I was introduced to through a physician at the health system where I work. In its simplest form, for me, mindfulness means taking time to slow down, to breathe and to “be” in the moment. It’s like snapping out of a daydream, wide-eyed and aware of what’s happening in the here and now.
How does cultivating mindfulness benefit me as a writer? It’s no surprise that living in the moment makes me a better observer. I can soak up details–the smell of garlic and onions sweating in the pan, the peculiar way a receptionist wears her eyeliner, the sound of scrapping chickadees, the rhythm of two teen girls jabbering in the backseat or the sharp tang of Greek yogurt with pomegranate. I’ve come to understand that being present for these little details helps me become a stronger writer, and more importantly, a more avid fan of life.
How about you? Would you mind giving it a try?
Mindfulness is simply being aware of what is happening right now without wishing it were different; enjoying the pleasant without holding on when it changes (which it will); being with the unpleasant without fearing it will always be this way (which it won’t). ~ James Baraz
and the steamy winner is . . .
This week on Frog on a Dime, I posed the question: “Ready to get steamy?” Based on your responses, a lot of you are!
I’m thrilled you were inspired to turn up the heat on your writing. Now you can move full steam ahead. Sometimes that’s all it takes to find your momentum–just one extra degree of effort!
Congratulations to Jennifer Rumberger–winner of a complimentary copy of 212, the Extra Degree. I hope you’ll find it to be as encouraging as I do.
And . . . as a BONUS . . . congratulations to Randy Bulla–winner of a framed “212” inspirational quote plaque. Display it on your desk to help you keep the fire under your novel writing.
Jennifer and Randy, please contact me with your addresses. I’ll be glad to send your gifts to you this week.
Like to order your own copy of 212, the Extra Degree? Let me encourage you to visit Simple Truths. (BTW, I’m not affiliated with this site. I just want to let you know how to order this cool book, if you want.)
Stay steamy!
At 211 degrees, water is hot. At 212 degrees, it boils. And with boiling water, comes steam. And steam can power a locomotive. ~ Mac Anderson and Sam Parker
ready to get steamy?
In the inspirational little book 212 Degrees, The Extra Degree, bestselling authors Sam Parker and Mac Anderson explain: “At 211 degrees, water is hot. At 212 degrees, it boils. And with boiling water, comes steam. And steam can power a locomotive.”
I love this simple metaphor because it reminds me of what’s possible, if I’m willing to consistently apply just one extra degree of effort beyond my normal routine.
It’s related to what Carl Holmes calls the “And-then-some-syndrome.” It’s all about doing what’s expected, and then some.
I’ll be honest. I don’t always want to do what’s expected (or at least what I expect of myself writing-wise), let alone “and-then-some.” Some days I’m lucky to put finger to keyboard. Funny thing is, I’ll go out of my way for my family and friends or my boss and coworkers, but I’ll feel guilty carving writing time for myself. I truly believe we need to put others first, but does that mean I have to put my dreams second–or 999th? Shucks. Course not.
This week I’m challenging myself to pour on the steam with my writing time–by one sensible, do-able degree–guilt-free. I’m going to write four pages–and then some–this weekend (and the next, etc.). What can you do to turn the knob one degree to the right to crank up some heat?
Not sure?
Let me entice you.
If you go to my contact page by Friday, April 19, and tell me how you’re going to turn up the heat on your writing life by one degree this week, you’ll be entered to win a FREE copy of “212 Degrees.” I’ll be delighted to send it to you with my compliments. It’s a quick read that could have a lasting impact on your attitude toward your writing pursuits.
Ready to get steamy?
Many of life’s failures are [people] who did not realize how close they were to success when they gave up. ~ Thomas Edison
top 3 reasons why critique groups rock

Why oh why did I wait so long? I wish I’d jumped into a critique group ages ago. But I’m so glad I took the leap!
My top three reasons why critique groups rock . . .
1. Critique group members hold you accountable.
I won’t lie. As much as I love writing, I truly need deadlines to keep me moving at a steady pace. I’m too good at “writing” excuses for myself. Those excuses greedily gobble up my writing opportunities, in favor of oftentimes less honorable enterprises (like watching TV. Ugh!) Knowing my critique group is ready to give me feedback, in exchange for merely meeting my deadline, motivates me to better align my priorities and quit twiddling around already.
2. Critique groups encourage you.
Writing is tough enough. When you add the pursuit of publication to equation, with its inevitable rejections, the process can be pretty painful. Being part of a gang of empathetic travelers who are uniquely equipped to offer roadside assistance when your tires are punctured or shredded is such a perk. More like a perk on steroids. It’s amazing.
3. Critique group keep you honest.
When you go solo, it’s easy to get a tad delusional. Speaking for myself, it’s easy to fall in love with the rhythm of my own words. My critique group helps me to “de-precious” my work. With their help, I can face it in a cool, objective light. Just like all green things, including my budding manuscript, light is essential for growth. If I leave my manuscript buried under a rock, it’ll be safe alright, but there’s no room for growth in a dark place. I say arm your critique group with lanterns, flashlights filled with lithium batteries and torches. You may need to wear shades to your next meeting, but it’s worth it.
Are you still group-less? Let Frog on a Dime encourage you to hop in! What are you “wading” for? (Oh, great. I know my critique group is going to bust me for the bad puns!) Let this article from Harold Underdown’s “The Purple Crayon” site help you get a jump on it.
One last thing . . . my warmest thanks to Monica, Jennifer, Cathy, Kris, David and Mindy. You’re the reasons why our group rocks!
Criticism is the windows and chandeliers of art: it illuminates the enveloping darkness in which art might otherwise rest only vaguely discernible, and perhaps altogether unseen. ~ American drama critic and editor George Jean Nathan
meet debut PB star kris remenar
Frog on a Dime is all about encouraging writers. Today I’m delighted to introduce my very first guest . . . the incomparable Kris Remenar, debut author, children’s librarian and one of my personal cheerleaders.
Welcome to Frog on a Dime, Kris.
Thanks for inviting me over, Vicky!
So, when did you know you wanted to become a writer?
I knew I wanted to be a writer when I was eight. I won my first writing contest in second grade. I wrote about stranger danger (even as a child, I went for the controversial topics.) I gave my stories as gifts when I was in middle school and took independent creative writing classes in high school. Then, I entered a writing contest my senior year of high school and didn’t even earn an honorable mention. I thought I’d “outgrown” my talent. So, I stopped writing for years until I became an elementary teacher. As a teacher, I modeled writing for my students and I felt like a long-lost friend had returned. I joined SCBWI in 2000 and I’ve been working on my writing ever since.
What is it about writing for children, specifically, that appeals to you?
I like the freedom of it. Groundhogs can talk, hippos can fly. And almost always, there’s some sort of happy ending. Kids’ books are hopeful.
I tend to write (and think in) picture books. I’ve begun writing my first YA novel, and it’s a little overwhelming to grapple with hundreds of pages instead of 32, but I’m digging watching the characters unfold at deeper levels.
You’re had an exciting development in your writing career recently, can you tell us about the day you got “the call” from Charlesbridge—and don’t skimp on the details!
February 2, Groundhog’s Day, is my birthday. I was at the library at my job as a children’s librarian. My editor, Yolanda Scott, and I had been through two rounds of revisions on a manuscript, but I hadn’t heard back from her in over a month and I figured she was trying to find a way to gently break bad news. The smallest, bravest part of me dared to wonder if I’d get “the call” about my manuscript that day because the story is about Groundhog’s Day and I liked the synchronicity of it all. The superstitious part of me didn’t want to jinx it by thinking about it, and the hugely self-doubtful part of me said “prepare yourself for another rejection.”
Yolanda was away from her office speaking at a conference, it was a Saturday, I had no right to hope she’d call that day. But she did call, around 4 p.m., and I grabbed my phone to run to the back offices. When Yolanda told me that Charlesbridge wanted to acquire my book, this amazing, breathless, telescopic feeling came over me. The eight-year-old me, the twelve-year-old me, the twenty-nine-year-old me, all the me’s who had waited for this day felt elated and justified in putting forth the effort over all the years. And it felt like “of course the call came at this time from this supportive, generous editor.” I couldn’t have plotted it better if I’d tried.
That’s amazing, Kris! Congratulations! I was actually listening to Yolanda present at the SCBWI conference the day you got the call. I enjoyed hearing Yolanda, have I to admit I was distracted because I kept thinking—stop presenting, Yolanda, and call Kris already!
I predict your story is going to give encouragement to a lot of writers, especially since you were able to land your first contract without an agent. What advise would you give to someone who has been pursuing publication for a long time, with close calls, but no contracts?
Keep going! It took me 12 years from the time I sent out my first manuscript to the time I finally sold a book. If I had called it quits after 5 years, or after 10, I never would’ve received “the call.”
I have to ask . . . how did you keep going for 12 years?
Have you heard that quote “writing makes me crazy, not writing makes me crazier?” I kept writing because characters talked in my head, or I’d have a flash of a scene in a dream that I just had to put on paper. Being a member of SCBWI and having the camaraderie of those who get that, and who never said that writing for children is “sweet,” made the years of rejection bearable.
Thank you so much for sharing your story, Kris. You are a true encourager!
Be sure to watch for the debut of Kris’ picture book in fall of 2015–illustrated by wonderful illustrator Matt Faulkner (who is also Kris’ husband!). You can count on Frog on a Dime to celebrate that exciting event.
And to wrap things up, Kris’ favorite quote . . . If there’s a book you want to read, but it hasn’t been written yet, then you must write it. – Toni Morrison
Bonus Information! Kris blogs about picture books and ways to use them in the classroom to teach the Common Core State Standards. You can check out her recommendations.
three cheers for cheerleaders
Here comes a shocker: I was never a cheerleader in high school (or college for that matter). I know. I know. Truly mind-boggling, isn’t it?
Truth is, I never really cared about being a cheerleader, at least not when I was younger. But now, here I am at age 50, wanting to be a cheerleader. Now, I don’t mean the teensy skirt wearing, pony tail swirling, pom pom shaking variety. I want to be an encourager. That’s really why I started “Frog on a Dime” in the first place, to be an encouragement to writers like me who could use a boost now and then (and by “now and then,” I mean most of the time!)
If anyone on this planet can appreciate the power of an encouraging word, it’s writers, wouldn’t you think?
Who in your circle of writing friends could use a word of encouragement from you? Go ahead. Make a list of your top three. I’ll wait.
1.
2.
3.
Okay, that’s a great start!
What could you say to them this week that would empower them as they pursue publication? What words would help to unstop their writers block or bolster their confidence to start fresh? You have a lot of power as a writer. Channel it. Use it to make someone’s way brighter. You know what supportive words have done for you. Pass it on.
Let me encourage you to send that text or email or handwritten note today. It’s never too late to be a cheerleader.
Our chief want is someone who will inspire us to be what we know we could be.― Ralph Waldo Emerson
focusing on the write thing
This weekend I participated in a retreat for writers of novels for children and young adults at Vermont College of Fine Arts in Montpelier. Now, I’ve been to lots of writing conferences and workshops over the last decade, but what set this experience apart was the emphasis on the positive. Retreat organizer Sarah Aronson told us at the outset that when we receive a critique we should not discount the good comments we receive.
Too often that’s just what I’ve done. I think to myself, This person is only saying kind things to let me down gently before the hammer falls. But Sarah encouraged us to really listen to the observations about what we’re doing well. The good bits are, after all, the parts we want to create more of, right? By concentrating on recognizing my authentic writing voice, not the counterfeit, I’m better able to hear the difference between what’s true and what’s tinny. Sarah’s advise made all the difference for me. I soaked up the good comments, not to pump my ego, but to learn how to make progress.
It goes without saying, but here I go saying it, that this doesn’t mean I get to ignore the parts of my work that need, well, work. (Some of it is downright stinky. Get the clothes pins please!) And sure, it’s essential to listen to constructive criticism, to consider the suggestions of others and to welcome even hard-to-hear feedback. But allowing myself to accept words of specific affirmation has caused me to see my abilities in a whole new light. I’m better able to see what’s possible, instead of thinking, this is impossible.
As a result of embracing the positive, when our amazing presenters like authors Cynthia Leitich Smith or Lauren Myracle or Candlewick editor Andrea Tompa humbled me with kind words, I could thank them. Was I shocked? Okay, yes. But I was still able to thank them instead of waving the words away.
I came home from the retreat feeling rejuvenated. My faith in my abilities was bolstered a bit and I can honestly say I feel hopeful for the first time in a long time. I am energized, instead of deflated. WOW, does that feel good!
You may not be able to escape to a writers retreat in the mountains of Vermont (I’m still stunned that I was able to!), but let me encourage you to adopt the same shift in focus. You will be amazed at the difference it can make. I’m positive of that.
You’ve got to accentuate the positive, eliminate the negative, latch on to the affirmative, don’t mess with Mister In-Between. – Johnny Mercer
I was born in the year of magic
I was born in the year of magic. Not many people can say that, but I can.
When I was born on March 4, 1963, amazing things were bubbling up in the realm of children’s literature. Beloved books like Where the Wild Things Are by Maurice Sendak were published in 1963. While I have no concrete evidence to connect my devotion to children’s books to the time I was born, who’s to say otherwise? (And just so you know, Theodor Geisel (aka Dr. Seuss) was born in March too–if that helps to convince you.)
The 1960s were what I consider the golden age of children’s literature. Picture books we now consider classics like The Very Hungry Caterpillar by Eric Carle, The Snowy Day by Ezra Jack Keats, Go Dog Go by PD Eastman, Amelia Bedelia by Peggy Parish, and Norman Bridwell’s Clifford the Big Red Dog and Bedtime for Frances by Russell Hoban were enjoyed by parents and children for the very first time. Junior high students feasted on freshly published novels we now cherish like Island of Blue Dolphins by Scott O’Dell, Charlie and the Chocolate Factory by Roald Dahl and A Wrinkle in Time by Madeleine L’Engle.
Regardless of the era in which we are born or the format in which books are produced, I hope (and believe) children’s literature will always have an honored place in childhood. At an SCBWI National conference, I heard children’s novelist Margaret Peterson Haddix talk about the difference between the books we read as children and those we read as adults. She observed that as children we devoured our books. If we loved a book, we read it over and over and over again. We memorized it, pondered on it and carried it with us, in our small hands and in our hearts.
And Ms. Haddix is right. As children we build a cozy fort in our hearts for the books we love. Maybe it’s because as adults, fiction is a mirror of our experiences, but for children, books are our streak-free windows. They help us see and experience things for the very first time. And to a child, that feels like magic.
I was born in the year of magic. By re-reading the stories of my younger years and creating new ones, I plan to keep my inner child happy for many year to come.
I grabbed a pile of dust, and holding it up, foolishly asked for as many birthdays as the grains of dust, I forgot to ask that they be years of youth. ― Ovid, Metamorphoses
visiting grand central station “library”
Yes, it’s an iconic New York landmark that happens to be an architectural beauty (hey, it’s even the world’s number six most visited tourist attraction), but it’s more just another pretty facade.
My hotel was situated over Grand Central, so it was simple to slip down there whenever I got the chance. The writer and storyteller in me was attracted to Grand Central because it’s like a bookless library. Okay, okay, I know that sounds silly. Let me try to explain. Grand Central houses a century full of stories–maybe not the kind recorded in bound volumes–but a million unspoken stories. I think of the people who have met there, cried tears of joy there and some who were left waiting there. I imagine the stories of loved ones who were reunited there and some who have even wed there. If only those beautiful blue ceilings could talk.
What about the “Grand Central Station” in your life? Do you have a favorite people-watching spot? Let the lives passing by you spark new ideas and quirky, authentic details for the stories you write.
I have always loved to sit in ferry and railroad stations and watch the people, to walk on crowded streets, just walk along among the people, and see their faces, to be among people on street cars and trains and boats. – Ella R. Bloor










